295 pages
French language
Published Dec. 3, 1998 by Flammarion.
L'épigraphe de ce livre singulier annonce la couleur et la douleur : "Les Juifs sont indubitablement une race mais ils ne sont pas humains" et c'est signé Adolf Hitler. Il s'agit de la vie d'un rescapé des camps nazis racontée, par son fils, en bandes dessinées. Les Allemands sont des chats et les Juifs des souris et le ton métaphorique se rapproche plus de Kafka que de "Mickey Mouse" ou "Felix the Cat".
A tough but important work, and I'm glad that I finally read it. Unflinching is the adjective that keeps popping into my head when I think about the story. It was interesting to read this recent (2022) Atlantic article about the book and its continuing relevance.
Spiegelman is on record saying he doesn’t like Maus being used to teach about Holocaust, but honestly I can’t think of many better texts for it. He prefers Maus being used to discuss relationships, and I’m just thinking “por que no los dos?”
In this novel the author shows his father’s story of survival through the holocaust, and the long term impact on his physical and mental health. He delves into the intergenerational trauma associated with survivor’s families.
Spiegelman said in an interview with Australian Radio National that he wanted to challenge the myth that everyone who goes through such a crucible inherently becomes a better person His depiction of his father, Vladek, is loving but unyielding. When Vladek, who suffered so much during the Holocaust, sees his son wanting to pick up an African-American hitchhiker, he responds with the exact kind of racist stereotypes he himself faced as a …
Spiegelman is on record saying he doesn’t like Maus being used to teach about Holocaust, but honestly I can’t think of many better texts for it. He prefers Maus being used to discuss relationships, and I’m just thinking “por que no los dos?”
In this novel the author shows his father’s story of survival through the holocaust, and the long term impact on his physical and mental health. He delves into the intergenerational trauma associated with survivor’s families.
Spiegelman said in an interview with Australian Radio National that he wanted to challenge the myth that everyone who goes through such a crucible inherently becomes a better person His depiction of his father, Vladek, is loving but unyielding. When Vladek, who suffered so much during the Holocaust, sees his son wanting to pick up an African-American hitchhiker, he responds with the exact kind of racist stereotypes he himself faced as a young man. He should’ve know better, and yet here we are. It’s a powerful moment.
I’ve taught Maus for a few years now and always find the students gobble it up, with few exceptions. Holocaust, relationships, visual literacy, symbolism; this is such a powerful novel with so much to offer a classroom. It’s great to follow up with encouraging students to reflect on their own relationships in visual form (even if that’s just stick figures!).
